March 8, 2013
Pitting creators against fandom

Pitting creators against fandom

More and more, creators and producers are viewing the fan relationship as their bread and butter, even as more fans are beginning to see fanwork as equal in status to the original story—even marketable, in the case of many works of Twilight fanfiction and other similar “pulled-to-publish” stories with fanfic as their origin. 

Some creators are even openly encouraging their fans to publish and sell fanfiction of their work as it stands, without even the pretense of “filing off the serial numbers” by changing the names of characters or otherwise altering the world of the original story. And fandom itself is growing to be synonymous with geek culture as a whole—both of which are seeping inexorably into the mainstream.

That’s a huge reversal from where things stood even a few years ago, and not everyone is quite on board with this change. We can see this anxiety in the very language two of this week’s SXSW panels use to summarize the fan/creator relationship. 

Frenemies: Fanning the Flames of Fandom” looks to be a kind of ‘Fandom 101’ for the creator, producer, and marketer who wants to understand how to engage successfully with fandom.

Creators vs Audience: Next Chapter in Storyteling,” a panel sponsored by deviantART, seems to take roughly the same stance.  However, the introductory angle that both panels take seem to pit fans and creators against one another, rather than as potential partners in a relationship built around shared love for a story.  

Here’s the panel description for “Frenemies”:

Storytellers! Underestimate the power of fandom at your peril. If a storyteller has done his or her job right, they have created a rich story world complete with cannons [sic], tropes and multiple layers of mythology- a world that is ripe for hijacking and take over by the fans. From alternate universes to slash fiction and additive fan created cannon the relationship between the storyteller and the fan enabled by technology has become more and more complex and can best be described as one of “frenemies”- “friend + enemy”. What represents a victory to the fan may represent a loss of control to the storyteller. So how does a storyteller manage a fan community that may know more about the story world then they do? Who owns the IP? Is fandom like nuclear power that can be used for good or evil? We’ll venture deep into the fan underworld with a panel that breathes the air and serves the Kool-Aid.

This is a polarizing description, beginning with the terminology itself. The word fans use to describe their source stories is not “cannon” but “canon,” a use derived from fans’ belief that just like literary and film canons, the source text of a novel/film/series is something to be held above the rest of the field, taken and viewed as being of a higher standard or authority than what’s produced around it, including fanwork.

But it’s tough to grasp the fundamental reverence fans have for their source materials from a description that speaks of fandom as an “underworld,” of fans “hijacking,” “taking over,” and exercising “victory” over creators. Is this fandom or a group of shadowy culture terrorists?

Read the entire breakdown of fandom panels at SXSW

January 26, 2013
Has anyone read ‘Looking for Alaska’ by John Green?

callmep00deep:

callmep00deep:

fishingboatproceeds:

sstephaniecaroll:

and if so, would you recommend it?

I thought it was okay.

my question for you is what in the hell is wrong with you

oh wait you’re john green, I’ll just die now

(via ionaonie)

January 11, 2013

So I got a really thoughtful comment from a Daily Dot reader on my fourth wall opinion piece. I wanted to respond but it got too long for the comment box, so I’m relocating it here. 

 The tl;dr version of my argument is that there is no fourth wall, period—not that there is a wall and that we should be actively trying to tear it down. 

Read More

January 11, 2013
tell me your heart doesn't race for a hurricane: “For the record: I have never quoted fans without permission” please...

apaintedmaypole:

eleveninches:

tomato-greens:

robinade:

thebkwyrm:

eleveninches:

robinade:

eleveninches:

thebkwyrm:

onehoarsecryfordiscipline:

kerrikins:

lucyzephyr:

For the record: I have never quoted fans without permission” please someone else with the spoons to do it call Aja out on this, I’m too afraid of her and not up for it but this is blatantly untrue, and one of my friends was use w/o notice OR permission in one of Aja’s articles. Said friend was…

I understand that this must have been very hard for your friend and I get that, but realistically, when you post something in a public sphere then you have to accept that you may be linked to/discussed. Prime time news quotes stuff that’s on public blogs/Twitters all the time! This is not unique to Aja. If it was a locked Livejournal entry, obviously that would be incredibly different. But if anyone can wander upon it by accident, through reblogs or through tags, then a journalist linking to it should not be completely unexpected.

Anyone who wants their content to remain completely private should not be posting on Tumblr. There is no way to lock that content down or protect it.

please back off and don’t contact me again. I’m already changing my URL. I cannot deal with this.

This is an EXCELLENT example of the nature of public social media and the inability to delete content. The minute someone reblogged the original post, it doesn’t matter how many times the username is changed or the original entry deleted.  It won’t go away; the post will remain, as will the responses to it.  Regardless of the original posters feelings on the matter, responses can continue, because people may never see the original post, just the reblogs. 

It’s the nature of social media.  Anyone can reply to a public Tumblr post, even people who disagree with you.

this is a beautiful reply.

Wow, so it’s not enough to try and force a fandom into the limelight— very disrespectfully against their wishes, by the way, which is a very shitty thing to do. As a person, everyone has the choice whether or not to single people out. No one gets to hide behind the idea that it’s “the nature of public media.”

And then when this issue causes someone some genuine fucking distress, you’re going to gloat about it. Awesome.

And by awesome I mean spectacularly appalling.

I’M NOT AJA. seriously concerned about what’s going on now sdfhsdfhdfh is all the aja hate actually… erin hate… misdirected…?

For the record, also not Aja.  And also mystified by what’s going on - I’m not gloating about anyone’s anything, I’m just pointing out how Tumblr (and much of social media) works.  If that causes someone distress…well, sorry?  But I didn’t invent Tumblr.

Sorry for the case of mistaken identity. Your url (thebkwyrm) is very similar to Aja’s, so I thought it was her. What you said before really pissed me off because— if it had come from Aja— really did come across as gloating. But it was you sharing your opinion, which you are obviously entitled to. I do still think it was disrespectful to pursue a conversation when one of the participants was clearly asking for space, but that was your choice to make.

Eleveninches, sorry as well. I never intended to give the impression that I thought you were Aja.

I beg to disagree with you. It is not disrespectful to pursue that conversation because of the nature of tumblr––we don’t really reply to each other; we rather respond to the things that people have said and wait to see what happens. Now I have explicitly replied to you, robinade, but I have no way of knowing you’ll see this. I have no way of knowing anyone who will see this. That’s the nature of tumblr, and the problem, I think, is that we haven’t updated the way we think about fandom––we haven’t moved on from an LJ sensibility, from the sense of privacy that a seemingly enclosed community creates. Well, guess what––while I don’t think we were ever as private as we pretended we were (heyyyyy Henry Jenkins!), we’re no longer enclosed. 

Seriously, most of the internet is a public space. Since we’re speaking so condescendingly about choice here, when you choose to post content in an unlocked space––whatever that content may be––on the interwebz, you don’t get to choose who sees it, reblogs it, responds to it, reads it aloud to their friends, quotes it in an article, etc., etc. It may be more comfortable to pretend that no one can see it but the anonymous faces of fandom, especially if you’re like me (not high-profile, not particularly desirous of becoming very high-profile if it leads to being embroiled in dramarama), but that doesn’t mean that that conceit is a true one.

I personally love the fourth wall in every way there is to love it, from its literary theoretical implications to its practical application in my life as a fandom-dweller. But it is imperative to understand that the fourth wall is an illusion we’ve built and maintain for the sake of propriety and discretion, not an actual protective agent. You cannot retroactively want information you have released publicly to disappear into the private sphere, and you cannot track or control everyone who has access to that public information. It’s just the nature of the game. While pretending that fandom and RL is mutually exclusive is pretty much par for the course––it’s what I do!––the only thing that will protect your anonymity is what you choose or choose not to put publicly online. Once it’s out there, it’s fair game. Thinking the fourth wall is real is not only a fallacy, it’s foolhardy––the fourth wall has never existed. 

 I’ve never written RPF so I guess the stakes are lower for me, but I hung out in bandom for three years and I know how it works.  

For the record, I don’t know Aja except for the, like, three conversations we had while we were both hanging around Inceptionville, but she’s always struck me as a decent person. While I may not always agree with her (just like I may not always agree with ANYONE who posts their opinions for public perusal), she has never seemed to have it out for fandom or be deliberately malicious towards people, or anything like that. I don’t really know why so many people love to hate on her. 

DAMN THAT GOT LONG


 

^ this

This last comment (okay, technically, second to last) feels really crucial to me. Publicly posted speech on the Internet is generally not protected speech. Once it is publicly available, it is generally open to anyone (academics, press, your neighbor…) for further commenting and quoting. There are certain contexts in which academics recommend taking additional steps to shield a speaker/community in some way, but these rarely apply to public posts in fan-type contexts. (And, wow do academics like to fight about when/where they might need to take additional steps to protect certain speakers.)

None of this really applies to the press. That’s an entirely different context with much looser guidelines. It’s important to emphasize, however, that many in the press take a lot of care with this as well. For example, a common technique is to only use publicly posted content and to give the speaker an opportunity to comment/reflect on their words in the context of the article being written.

The fannish fourth wall is an illusion. In many ways it is a very productive illusion that serves both sides of the wall well. However, anyone who genuinely does not want to have their comments shared outside of their personal fan spaces/networks needs to lock down their posts. 

The Daily Dot was willing to pull an article on an RPF/S fandom out of respect for the community’s discomfort with being reported on. Speaking frankly? That’s a big concession from a internet news site who’d love the ad revenue that came from folks clicking onto that article. I see that as a positive sign and an attempt to keep communication channels open. I’m still not really sure how I feel about all this, but its worth recognizing that they’re listening. 

Being uncomfortable with how The Daily Dot reports on fan cultures? Or being uncomfortable with the act of reporting on fan culture as a way of earning money? That’s a subject which is well worth talking about across fan communities right now. Fans are being carefully watched and marketed to from many different points in entertainment and media industries right now. The monetization of fan cultures is an issue that’s worthy of careful discussion. However, discomfort alone does not mean that anyone needs to ask permission to talk about fans, quote fans, or report on fan cultures. 

in love with this whole thread, especially the part where elevenshop happened. :D

(But seriously, this: The Daily Dot was willing to pull an article on an RPF/S fandom out of respect for the community’s discomfort with being reported on. Speaking frankly? That’s a big concession from a internet news site who’d love the ad revenue that came from folks clicking onto that article. I see that as a positive sign and an attempt to keep communication channels open. I’m still not really sure how I feel about all this, but its worth recognizing that they’re listening. <— Thank you <3)

January 9, 2013
re: the use of the Berlin Wall in yesterday’s fourth wall piece

The decision of the Daily Dot to use a photoshopped image of the Berlin Wall in this article on the fourth wall and fandom was an editorial decision, not mine.  When I learned that the photo was to be used, I requested that my editor add in the following opening quote to the article, to provide greater context for our use of the photo as a metaphor:

“The fourth wall is like the Berlin wall at this point. It’s only a matter of time.” —iaddedarainbow

I have read many concerns and complaints about the image from various Tumblr users, and they are important to me. I have brought your concerns to my editors and they are taking the matter under review.

January 8, 2013
The crumbling of the Fourth Wall: Why fandom shouldn&#8217;t hide anymore
DISCLAIMER: This was the first opinion piece I wrote for the Daily Dot. I wrote the first draft in mid-November, weeks before the incident mentioned in the article and the subsequent breaking of the fourth wall by one of that fandom&#8217;s subjects. I requested that this op-ed piece be delayed out of respect for that fandom; once we had reported on that fandom&#8217;s fourth-wall break, however, there seemed to be no reason not to publish this piece.
I realize that my opinions are not held by everyone, and that&#8217;s why I want to emphasize that this is an opinion piece only, not a statement of intended behavior towards fandom or a stated wish to disrepect fandom conventions or codes of etiquette. I hope that anyone looking at my articles will see that I have always tried to conduct myself with respect towards these things, up to and including choosing not to publish articles that disrespect the community.
I hope you will read this piece, if you read it, as a letter from a fan sharing their thoughts on the fourth wall after having watched the gradual mainstreaming of fandom over the last 15 years. Nothing more, nothing less.
Thank you.

The crumbling of the Fourth Wall: Why fandom shouldn’t hide anymore

DISCLAIMER: This was the first opinion piece I wrote for the Daily Dot. I wrote the first draft in mid-November, weeks before the incident mentioned in the article and the subsequent breaking of the fourth wall by one of that fandom’s subjects. I requested that this op-ed piece be delayed out of respect for that fandom; once we had reported on that fandom’s fourth-wall break, however, there seemed to be no reason not to publish this piece.

I realize that my opinions are not held by everyone, and that’s why I want to emphasize that this is an opinion piece only, not a statement of intended behavior towards fandom or a stated wish to disrepect fandom conventions or codes of etiquette. I hope that anyone looking at my articles will see that I have always tried to conduct myself with respect towards these things, up to and including choosing not to publish articles that disrespect the community.

I hope you will read this piece, if you read it, as a letter from a fan sharing their thoughts on the fourth wall after having watched the gradual mainstreaming of fandom over the last 15 years. Nothing more, nothing less.

Thank you.

January 8, 2013
backlog of daily dot pieces!

I’ve been sick and buried in a backlog of work lately and i haven’t had time to do more than play catch up, much less write articles or post them to Tumblr/Twitter.

But I always try to keep up, so here is the list of what I’ve reported on lately that you might have missed:

December 7, 2012
We will not be publishing the article on hockey fandom.

So. I’ve decided not to publish the article on hockey fandom. Instead we’ll be publishing a much narrower, shorter piece on lockout-related internet memes.

I really do appreciate everyone who took the time to talk to me about this, in support or censure, whether through email or private messages or on Twitter or reblogs. I also appreciate the anon meme discussions and the other public discussions surrounding this that may not have been necessarily meant for me.

This is my decision; my editors, as always, 100% support me, and I thank them for that. I do think that the story had planned was inoffensive and broad-reaching—and as i said before, not one that focused on RPF.

But it’s not worth it to me, it is never worth it to me, to cause hurt or harm to fandom in my attempts to cover it.  I can’t state strongly enough how much I don’t want to do that. But when you wake up and find that a story tag on AO3 that had 55 stories on it last night now only has 10, it’s pretty clear that despite your best intentions, the harm has already happened.

When I commented on Imp’s post last night, I was doing so as a fan asking another fan not to lock their fic—because I am always a fan first and foremost. I didn’t consider how, in my role as a journalist, I appeared to be misusing my authority, and I predictably just made things worse. I’m very sorry for that. I’m sorry if I made anyone feel like they didn’t have the right to do whatever they please with their own fics at any time. Everyone has the right to go into lockdown mode when they feel threatened as a fan, and I support that 100%, always, no matter what.  

As a fan, I have said for years, will keep saying it, that if we want the media to represent us well, we have to represent ourselves first, before some asshole comes along and misrepresents us. As a fan, I know exactly how painful and devastating the breaking of the fourth wall can be: I lost my job because my editor found out about my fandom activities. I lost my job. I know what the worst-case scenario looks like. I am the worst-case scenario. 

I do feel, after hearing from many of you, that I understand why you are anxious, as if I didn’t already understand in part, just based on my own personal experience. Because the breaking of the fourth wall has directly impacted me so tremendously and repeatedly, i feel extremely strongly that the whole system is a lie that just perpetuates shame and hurts fans more in the end—that the only real way to protect ourselves (for those of us who can do so without facing criminal repercussions) is to fight back and own our fan activities without shame. As a fan, that’s what I will always advocate for. Because as a fan, that strategy has proven to be my best defense against getting hurt further. That strategy led, ultimately, to my getting hired because of fandom.

But as a journalist, I can’t ask you to share that strategy with me.  And I realize that as a journalist I came across as totally dismissive of your concerns. I am so sorry.  But I have listened, and I do care, and while I am still committed to covering RPF fandoms, it should never happen this way.

As a fan, I’d like to ask that if you’ve locked or taken down your fics or other fanworks because of the proposed article, or because of anything I’ve said, please consider putting them back up.  If anyone would like to talk to me further about this, my inbox, ask box, LJ box, DW boxes are always open.

I love you all.  Once again, I’m very sorry.

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