What’s brilliant about the writing is that in that moment, that’s the first moment Brienne considers it, and it’s the horror that that might be true and what she might have to deal with. […] She moves away; she doesn’t do the formal exit. She just has to turn away. Even Brienne is incredibly aware of respectability and manners, as difficult as it is for her; she’s still a lady. But she doesn’t give a formal exit, she turns away. Then in her eye-line is Jaime. It’s, I think, really slapped her hard on one side of the face, and then the other even harder, as she runs off red-faced. “Oh, God!” - Gwendoline Christie
WHOSOEVER HOLDS THIS HAMMER, IF SHE BE WORTHY, SHALL POSSESS THE POWER OF THOR.
ACTUAL GODDESS NATASHA ROMANOV
I always knew she was one :D
As is so often true of comics, a lot of the awesome is in the details. Natasha can’t move the Hammer when she first reaches it. What makes her worthy at the end when she apparently wasn’t worthy just seconds before? Look at panels 2-3 again. Natasha’s got that big ogre right on top of her with his club already going back to strike … and instead of shooting it to save herself, she uses her last shot to bring down the flying reptile that’s chasing that fleeing shuttle. That act of self-sacrifice in the face of certain death is what made her worthy.
Sophie Turner, in response to Sansa hate (x)